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A catalogue featuring the complete series O Campo, published on the occasion of an exhibition at Sala BBK in Bilbao, organized by Fundación Athletic Club. Introduction by Galder Reguera (text in Basque, Castilian, and English).
2012 by Fundación Athletic Club, Bilbao
offset, colour
22 x 17 cm, 64 pages
hardcover, sewn
ISBN 978 84 8056 312 3
O Campo, or in its translation The Field, is a photographic compilation of football fields in Brazilian cities. The images were taken via satellite and they show the rather oddly shaped football pitches that seem to be built wherever possible – the desire for playing the game has clearly surpassed and ignored the limitations of natural topography and FIFA’s laws of the game. According to the official rules and regulations (which are included in the book as an epilogue) you would not be allowed to play football on any of these fields. However, the careers of some of the world’s best football players began on these very same fields despite their askew angles, odd proportions, mis-shapen border lines and pitch markings. Studying the architectural contexts of these fields we also get an idea about the social context where these players come from.
O Campo received an honorable mention in the 2010 Photography Book Now competition.
2010
print on demand, colour
20 x 25 cm, 40 pages
softcover (hardcover with dust jacket on request)
open edition
price on application
email orders only
Between 1963 and 1972, Edward Ruscha published fifteen artist’s books, his first being Twentysix Gasoline Stations; a book which is considered to be the first modern artist’s book, and has become the iconic precursor and a major influence on the emerging international artists’ books culture. Twentysix Gasoline Stations, Every Building on the Sunset Strip, Thirtyfour Parking Lots, Nine Swimming Pools, A Few Palm Trees, No Small Fires is a modern remake of some of Ruscha’s famous books, all grouped in one volume. Unlike the original books it relates to, this work was made entirely at my Berlin studio. I didn’t visit Los Angeles to make the book and I didn’t use a camera either. The camera is out there.
2009
print on demand, colour
18 x 18 cm, 198 pages
softcover (hardcover with dust jacket on request)
open edition
price on application
email orders only
O Campo, or in its translation The Field, is a series of photographs of football fields in Brazilian cities. The images were taken via satellite and they show the rather oddly shaped football pitches that seem to be built wherever possible – the desire for playing the game has clearly surpassed and ignored the limitations of natural topography and FIFA’s laws of the game. According to the official rules and regulations you would not be allowed to play football on any of these fields. However, the careers of many of the world’s best football players began on these very same fields despite their askew angles, odd proportions, mis-shapen border lines and pitch markings. Studying the architectual contexts of these fields we get an idea about the social context where these players come from.
Sixteen pigment ink prints, 30 x 40 cm on 40 x 50 cm paper, edition of 3 copies + 1 AP